![]() Īcquisition of Mystic Eyes happens when there is some sort of natural mutation in the Magic Circuits located in the area around one's eyes. There is a conceptual similarity between them and Mahakala WP, a manifestation of Shiva in Hindu mythology, to the point black holes could be said to symbolize the magical eye aspect of Shiva on a macro level. Even in modern times this continues, with the black holes discovered by modern science which could also be said to be eyes born of natural phenomena. ![]() Though not as numerous as gods of the storm, there are cases where these symbols were granted to goddesses of the earth: a famous example of this would be the Gorgon Medusa, from Greek mythology. The earth itself has "eyes", like the mouth of volcano, the image of a bright red eye piercing through the darkness of night strongly connected to the image of the evil eye. From there, the association of wind and storms with divinity creates a connection to the eye as well: the archetypical examples being storm deities Balor of the Evil Eye, king of the Fomorians in Celtic Myth, and one-eyed Odin from Norse Mythology, with the former having a single eye whose gaze could annihilate entire armies, and the latter who gave up one of his eyes in exchange for omniscient knowledge of all things. Other natural phenomena described using eyes include storms, with things like the " eye of a hurricane WP" and the clouds surrounding it called the Eyewall, thus making the storm itself a single eye. In Christianity, the eyes of the omnipotent God became connected to his providence over all things, becoming the Eye of Providence WP. The Eye of Horus WP from Egyptian mythology is a particularly famous example, with the god Horus' right eye being the Sun and his left the Moon. For example, the Sun and the Moon being often described as the eyes of Heaven. As such, many cultures across the world came to fear the Evil Eye WP, and many mysteries of the natural world were explained through the symbolism of eyes. Sight is considered the first Magecraft in human history, because it is the one out of the five senses that provides the most information. The mystical significance of Mystic Eyes is old. ![]() Since they have their own Magic Circuits, Mystic Eyes are able to produce Magical Energy and cast spells all on their own. They are the proof of a first-class Magus since it grants great power while being easy to conceal. Ulrich Pohlmann.Mystic Eyes usually work like Single Action spells and are activated through the use of Magical Energy. ![]() The exhibition, a collaboration between the Bucerius Kunst Forum, the Herbert List Estate and the Herbert List Archive at the Munich City Museum, presents some 240 original photographs dating from 1930 to 1966.Ĭurated by Dr. His own special “currency” was his open mind for those he encountered and his interest in delving into their innermost secrets. List’s keenness to interact with people and learn their stories is particularly evident in his portraits and early street photography and is also reflected in his photojournalism. His interest in non-European cultures eventually led to extensive series on Nigerian, Oceanic, and pre-Columbian sculpture.įurther chapters in the exhibition explore List’s penchant for the male nude as well as his portraits of modern artists including Pablo Picasso, Joan Miró, Georges Braque, Marc Chagall, Alexander Calder, and Giorgio Morandi, and writers such as Pier Paolo Pasolini and Ingeborg Bachmann. After the war, he devoted his energies primarily to photo essays, producing extensive reports on Naples, the Caribbean, and Mexico, published either in book form or in leading magazines such as Life, Heute, and DU. He later revived this magical world in photographs taken amid the ruins of Munich after 1945. While traveling in Mediterranean climes, List set out to bring the ideals of classical Greek and Roman antiquity back to life in his pictures. Many of his photographs, whether taken in Hamburg, Paris, or Athens, exude an aura of mystery and enigma. Like Giorgio de Chirico and René Magritte, he strove to visualize the more inscrutable and ambiguous aspects of reality. List’s work before 1945 betrays the strong influence of pittura metafisica and Surrealism. The retrospective spans the artist’s entire career, from his Surrealist works made before 1945 to his visions of life in antiquity and extensive pictorial accounts of non-European cultures, all the way to the male nudes with which List avowed his own homosexuality. The Bucerius Kunst Forum presents the first international survey exhibition of the work of Hamburg-born photographer Herbert List (1903–1975) in more than two decades.
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